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Teen Female

What is a good female teen monologue that isn't from a movie?
hey i need a monologue for my acting class, asap, and i've tried everything, but this. so any help you have is greatly appreciated! Thanks.
He Hates Me "Rebel Without A Cause" (Older Teenage Girl): Girl who knows the reason she can't trust others is her dad.
Judy: He must hate me. He hates me. I know he does. He looks at me like I'm the ugliest thing in the world. He doesn't like my friends. He doesn't like one thing about me. He called me - he called me a dirty tramp. My own father. I don't know if he means it. I mean maybe he doesn't mean it, but he acts like he does. We were together. We were gonna celebrate Easter and we were gonna catch a double bill. Big Deal! So I put on my new dress and I came out, and he grabbed my face and started rubbing off all the lipstick. I thought he'd rub off my lips. And I ran out of that house. I'll never get close to anybody.
Clara, a girl trying to fit in with the "cool" crowd is also trying to keep Peggy, the school dork from thinking that they are best friends.
Oh........ it's you again.(Pause). Yeah, whatever. I'm trying to work Peggy, can't you see? (Pause)No, no I don't want you to help me.(Pause). Please Peggy, just go away!(Pause, said angrier)God! You are so annoying. Leave me alone!(Pause)Oh, god, don't start crying.(Pause No, wait Peggy don't--... No! Don't tell Mrs. Robins, I didn't mean it.(Pause) (The imaginary Peggy walks away, Clara looks back at the audience)I blew it. Now Mrs. Robins is gonna come over here and ask me what's going on. I know she's gonna ask me why I'm picking on the slow girl. I'm not! I just don't want her buggin' me. Is that a crime? (An imaginary Mrs. Robins walks up) Look Mrs. Robins, I'm sorry about Peggy! I mean she's just annoying sometimes and I was trying to do my work and--(pause) What? You weren't coming over here to ask about Peggy? Oh! Well what did you want to ask me? (pause) An "A" on my test! That's great! (smiles) (The imaginary Mrs. Robins leaves) Well I guess that I just got an easy break. Oh god, here comes Peggy!
Kat's Poem (for older teenage girl) Poem she wrote for her boyfriend who she was ignoring: Kat: I hate the way you talk to me. And the way you cut your hair. I hate the way you drive my car. I hate it when you stare I hate your big dumb combat boots. And the way you read my mind. I hate you so much it makes me sick-it even makes me rhyme. I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh-even worse when you make me cry. I hate it that you're not around. And the fact that you didnt call. But mostly I hate the way I don't hate you - - not even close, not even a little bit, not any at all.
Confessional (Older teenage girl):Girl lost in the woods with her friends confessing on tape that she made a mistake.
Heather: I just want to apologize to Mike's mom and Josh's mom and my mom and I'm sorry to everyone. I was very naive. (looks away from camera, scared) I was very naive and very stupid and I shouldn't have put other people in danger for something that was all about me and my selfish motives. I'm so sorry for everything that has happened because in spite of what Mike says now it is my fault. Because it was my project and I insisted on everything. I insisted we weren't lost. I insisted we keep going. I insisted we walk south. Everything had to be my way and this is where we've ended up. And it's all because of me we're here now hungry and cold and hunted. I love you mom and dad. I am so sorry. It was never my intention to hurt any one and I hope that's clear. (begins to hyperventilate) I am so scared. What was that? I'm scared to close my eyes and I'm scared to open them. I'm going to die out here. Every night we just wait for them to come. (breaks down and sobs)
Exactly Who You Are (Teenage girl): Girl who confronts an old friend about why they don't hang out any more.
Denise: I know exactly who you are. You're Kenny Fisher...we used to...we used to play Miami Vice in my basement. You used to sleepover my house...you had to leave the hall light on every night. You're Kenny Fisher who used to buy me a card every Valentine's Day and a bag of those little hearts with the words on them. And you're Kenny Fisher who suddenly got too cool to hang out with me when we hit junior high. Cause, I was in all the smart classes, and cause my parent's didn't make a lot of money. And cause you desperately needed to sit at the trendy table in the cafeteria.
Best Dancer I Can Be (Older teenage girl): Ballet dancer, trying to say no to a position that she wanted all of her life and now knows she is better than it.
Jody: Wait. For ten years, all I've wanted was to be one of American Ballet Company's perfect ballerinas. I've wanted to be you Juliette. But I'm not you, and I'm not perfect, I'm just me, (nervous giggle) bad feet and all. And, I'm staring to think I like that even better. (Jonathan leans forward to speak, Jodi cuts him off) No. Please don't. Because if you're not going to offer me a place in the company, then I don't want to hear it...and if you are...I might not have the strength to say no-and then I'd be spending my best dancing years in the back of a corps waving a rose back and forth (deep breath) and I'm better then that. So...thank you, Jonathan for making me the best dancer I could be. I appreciate it more then I can say, really. Because the best dancer i can be is a principal in Cooper Nielson's new company.
Just Totally Clueless (Teenage girl): Cher realizes that she really likes her ex-stepbrother, who her adopted friend was
Cher: Everything I think and everything I do is wrong. I was wrong about Elton, I was wrong about Christian, and now Josh hated me. It all boiled down to one inevitable conclusion, I was just totally clueless... Oh and this whole Josh and Ty thing was wiggin' me more than anything. I mean, what was my problem? Ty is my pal, I don't begrudge her a boyfriend. What does she want with Josh anyway? He dresses funny, he listens to complaint rock, he's not even cute in a conventional way... I mean, he's just like this slug that hangs around the house all the time! Ugh! And he's a hideous dancer, couldn't take him anywhere. Wait a second, what am I stressing about, this is like, Josh. Okay, okay......so he's kind of a Baldwin. What would he want with Ty, she couldn't make him happy, Josh needs someone with imagination, someone to take care of him, someone to laugh at his jokes in case he ever makes any...the suddenly....(pause) Oh my god! I love Josh! I'm majorly, totally, butt crazy in love with Josh! But now I don't know how to act around him. I mean normally I'd strut around in my cutest little outfits, and send myself flowers and candy but I couldn't do that stuff with Josh
Lying To Each Other (Older Teenage girl): Trying to get her father to forgive her by turning it around on him.
Francis: I told you I was telling the truth Daddy. I'm sorry I lied to you. (pause) But you lied too. You told me everyone was alike and deserved a fair break. But you meant everyone who was like you. You told me you wanted me to change the world, make it better. But you meant by becoming a lawyer or an economist and marrying someone from Harvard. (pause) I'm not proud of myself, but I'm in this family too and you can't keep giving me the silent treatment. (pause) There are a lot of things about me that aren't what you thought. But if you love me, you have to love all the things about me. And I love you, and I'm sorry I let you down, I'm so sorry Daddy. But you let me down too.
"Election" (Teenage Girl):Very preppy girl, trying to become student body president of her high school.
Tracy Flick: Poet Henry David Thoreau once wrote, "I cannot make my days longer, so I strive to make them better." With this election, we here at Carver also have an oppurtunity to make our high school days better. During this campaign I have had the oppurtunity to speak to many of you about your concerns. I spoke with freshman Eliza Ramirez, who told me how alienated she feels from her own homeroom. I spoke with sophomore Reggie Banks who said his mother works in the cafeteria and can't afford to buy him enough spiral notebooks for his classes. I won't bore you with long winded promises about all the new and innovative things I will definitely achieve during the year in which it will be my honor and privelege to represent each and every one of you, but I can say that my years of experience on the student council have taught me the three most important attributes the president needs to possess; committment, qualifications, and experience. I'll add one more, caring. I care about Carver and Icare about each and every one of you and together we can all make a difference. One of the things I would like to establish is a regular open forum where any student can come and voice their concern about issues we face here at carver. I and the rest of the student council would then interface with the faculty and staff, so a continuous dialogue would exist. When you cast your vote for TRacy Flick next week, you won't just be voting for me. You'll be voting for yourself and for every other student. Our days won't be any longer, but they can sure be better.
Here are a few scripts for you. I hope this helps. If you arent interested in these, you should be creative and try writting your own!
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Lot of 2 Retail Mannequins Female Girl Full Body Kids Teen | ![]() |
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US $350.00 | 7d 3h 5m |
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Lot of 3 Retail Mannequins Female Girl Full Body Kids Teen | ![]() |
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US $225.00 | 7d 2h 56m |
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Teen Dorothy Costume - Teen Costumes $23.09 Teen Dorothy Costume This Teen Dorothy Costume includes the blue and white checkered dress and the hair ribbon. Basked available separately. Gender: Female Age: Adult Size: Teen 11-13 Color: As Shown |
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Allstate mayhem commercial - Dean Winters as Teenage Girl in Pink Truck
Teen Queens of Tragedy: Romeo and Juliet's leading lady, Hamlet's Ophelia and the Men
It's not easy being a girl, especially a young girl in love. First, you have to worry about what your parents will think about your new boy. Secondly, you have to figure out how far intimately you want to go with said boy. Then, of course, there's the whole boyfriend-killed-a-relative-and-has-been-exiled thing. Well, that's how William Shakespeare writes about young tragic love: forever fraught between the boy and family loyalties. What's a young girl to do?
Well, given Shakespeare's literary record in Hamlet and Romeo and Juliet, young girls kill themselves when divided between lovers and families. Of course, those incidents are for tragic effect, but we're getting ahead of ourselves here. In fact, Romeo's Juliet and Hamlet's Ophelia have become sort of teen female idols—for better or for worse. Juliet, probably the most famous 13-year-old wife for the past 400 years, is often high schoolers' first introduction to Shakespearean female characters. Ophelia is also another relatable character, often used as a symbol for disenfranchised adolescent girls in countless psychological and feminist works, including books from Mary Pipher's Reviving Ophelia to Sara Shandler's Ophelia Speaks.
Yet, what makes these two female characters such figures of interest, beyond their emotional passion and tragic ends, is their relationship to the men in their lives and how they manage. Ophelia is often seen as a victim of good ole patriarchy, thanks in part to Shakespeare's sympathetic portrayal. She's entirely obedient to her father and brother, who both are constantly using her as pawns to entrap Hamlet or instructing her how to protect her euphemized "button"—or flower bud—because a "deflowered" woman is the worst thing ever.
In fact, a quick study of some select Hamlet quotes shows that the play is consistently concerned with her sexuality, as well as Queen Gertrude's, hence why many literary scholars are keen to point out some incestuous inklings in the Danish prince. Most of prominent quotes—such as the famous "get thee to a nunnery" tirade against Ophelia— are accusatory or condemning spouts from Hamlet, whose misogyny runs rampant in the story about the murder of his father and his uncle's fratricide. In fact, the whole murdered dad thing occasionally takes a back seat to Hamlet's concerns with Ophelia's and his mom's sexual purity or lack thereof, which is emphasized as a woman's only value in the play.
Back to Ophelia. After Hamlet unintentionally but not regretfully kills her dad, she goes bonkers, handing with symbolic flowers and herbs from the garden—there's a whole botanical theme going on here—and then sort of falls into the river and drowns. It is left uncertain if it was intentional or accidental, but many critics are in the suicide camp, quick to argue that her death came about because the loss of her dad destabilized her life so drastically she couldn't cope and muster any personal agency for herself. A victim of oppressive patriarchal society.
Juliet has different but equally trying situations with the men in her life. Yet, unlike Ophelia, she wields an unexpected amount of maturity—despite being only 13 years old. Girls do mature faster than boys, apparently. She starts out heavily dependent on her family (again, she's only 13) but evolves over the course of the play as someone who makes her own choices, family be damned. In fact, she decides to choose Romeo over her family, especially after they try to push a marriage to Paris on her. Little do they know she's already married (TWIST!) and she's sticking by her man, despite the fact he killed her cousin. While that may seem naïve and slightly unhealthy—staying with someone who violently killed a blood relative—she makes her bed and lies in it too. In fact, she's got the gall to fake her own death in that same bed and evade her family so she can live happily ever after with Romeo. Too bad Romeo didn't get the whole fake death memo, though. Moral of the play: check your messages.
For a young woman of this time, she's sure breaking a lot of rules, but she is unapologetic about it, throwing off the demands and restraints placed on her purely because of her gender. Of course, she does it for a guy, but she does it nonetheless. When she decides to follow Romeo's suicide, she does it by choice and with conviction, something we can't say about Ophelia. Of course, Juliet had bet her whole family on her relationship with Romeo and cannot easily reconcile with them, especially since they think she is dead while also threatening to disown her if she didn't marry Paris. In fact, that is an area where Ophelia and Juliet share some common ground: loss of familial support and stability. Their shared situation—whether it was by choice or not—points to the larger theme at hand that envelopes these iconic Shakespearean female characters. They operate in a world that is not only unforgiving to them, but one that is constructed with a built-in trap door if they should step out of bounds. They have no real safety net, no back-up plan, no agency and no survival skills. Ophelia goes mad at the thought, while Juliet chooses suicide due to the lack of viable options. Shakespeare, a playwright who Virginia Woolf lauded as someone who could write knowingly from both the male and female perspective, understood this. Their deaths, prompted by lack of support, are the real tragedy.
About the Author
Paul Thomson is an avid reader of English Literature. His areas of expertise include Hamlet, Romeo and Juliet, and Hamlet quotes. In his spare time, he loves to participate in online literature forums and promote reading for youth.







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